Moulin, a film by László Nemes, is a chilling and stirring portrayal of French resistance heroism during World War II. It's a surprisingly conventional take on a historical drama, with a focus on the life of Jean Moulin, a French resistance leader who refused to talk under torture. The film's craftsmanship is impeccable, with strong performances and production design, but it may not live up to the expectations of Cannes audiences.
The story follows Moulin (played by Gilles Lellouche) as he is parachuted into France from London in 1943 to unite the resistance's quarrelling factions under De Gaulle's leadership. He encounters the fictionalized Comtesse de Forez (Louise Bourgoin), who makes amorous advances, but his primary focus is on the resistance. However, Moulin's efforts are soon thwarted when he is betrayed and arrested at Gestapo headquarters by the notorious Klaus Barbie (Lars Eidinger), the Butcher of Lyon.
Eidinger's portrayal of Barbie is a highlight, capturing the character's malevolence and fascination with Moulin's sangfroid. Barbie's interrogation and torture of Moulin are brutal and cruel, testing his resistance and identity. The film's depiction of Moulin's refusal to spare his captured comrades, despite promises of clemency, adds a layer of complexity to his character.
While Moulin is a well-crafted and watchable mainstream drama, it may not be the unconventional or thought-provoking film that Cannes audiences were expecting. The sentimentally stirring final scene, followed by a premonition of death camps, suggests that Nemes is trying to balance the film's conventional elements with a deeper, more profound message.
In my opinion, Moulin is a fascinating exploration of resistance and heroism during a dark period in history. It raises questions about the lengths one might go to for a greater cause and the moral complexities of war. However, its conventional direction and acting may leave some viewers wanting more depth and innovation.
One thing that stands out is the film's use of sepia-subdued colors, which evoke the feel of an old photograph. This choice of cinematography adds to the film's historical authenticity and emotional impact. Additionally, the film's portrayal of Barbie's petulance and Moulin's ruthlessness highlights the brutal realities of war and the lengths to which individuals might go to achieve their goals.
In conclusion, Moulin is a thought-provoking and engaging film that offers a unique perspective on French resistance during World War II. While it may not be groundbreaking, it is a well-crafted and watchable drama that leaves a lasting impression. Nemes's direction and the performances, particularly Eidinger's, showcase the film's strengths, making it a compelling addition to the Cannes competition.
